丹妮亚·帕斯奎
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菲莉帕·洛索普
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Based on author Helen MacDonald’s well-received New York Times memoir of the same name, the true story follows Helen (Foy) who, after losing her beloved father (Gleeson), finds herself saved by an unlikely friendship with a stubborn hawk named Mabel. Through the bond, Helen rediscovers the beauty of being alive.
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Tenika Smith,海伦娜·布鲁克斯
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Series two will reunite us with Detective Sergeant Mackenzie ‘Mack’ Clarke (Anna Samson), who’s longing to get back to the UK and the life she’s always craved. But for now she’s stuck in Dolphin Cove, dodging her ex-fiancée Glenn’s (Tai Hara) upcoming wedding after overhearing his unexpected declaration of love in the series one finale – a confession that she can’t unhear.
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格奥尔基·班克斯-戴维斯
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第二季的故事发生在第一季结束八年后,军情六处的特工乔纳森·派恩(汤姆·希德勒斯顿 饰)以为自己彻底埋葬了过去,如今他的化名叫作亚历克斯·古德温,在伦敦负责主导一个秘密监视小组,生活平静安逸。然而某晚,他偶然瞥见一位过去受雇于理查德的佣兵,并促使他再次行动,与哥伦比亚商人泰迪·多斯·桑托斯(迭戈·卡尔瓦 饰)发生冲突。 在这段危机四伏的新旅程中,派恩结识女商人罗克萨娜·博拉诺斯(卡米拉·莫罗 饰),她勉为其难帮助派恩潜入泰迪在哥伦比亚的军火行动。抵达哥伦比亚后,派恩深陷一场涉及武器和游击队训练的致命阴谋。随着敌我局势愈加难分难解,派恩急迫揭露一场旨在扰乱国家安宁的阴谋,但背叛如影随形,他必须决定自己究竟需要赢得谁的信任,以及在为时已晚之前,自己愿意付出多大的代价。
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迈克尔·珊农
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Michael Shannon directs an adaptation of Brett Neveu’s 2002 play about a mother coping with the fallout after her son murders three of his high school classmates. Janice (Judy Greer) is struggling; she moves through life as if in a haze, unable to let go of her anger and frustration. While her husband (Alexander Skarsgård) has found refuge at a new church, Janice finds it hard to seek solace in her faith despite her pastor’s pleas to heal her wounds by meeting with the mothers of her son’s victims. As Janice ponders what that meeting could achieve for her and her community, Eric LaRue asks audiences to witness the frayed emotional ripples that violent acts can engender. Anchored by Greer’s deeply arresting performance, Shannon’s directorial debut grapples head-on with frustratingly timely conversations about who deserves our compassion and grace. Standout supporting turns by Tracy Letts and Alison Pill, who capture a subtly unnerving vision of spiritual fanaticism, stress the film's interest in complicating facile views of atonement and forgiveness in light of such tragedies.






























